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As Fair as Morn John Wilbye, Arranged by Russell Robinson
SSA, a cappella
John Wilbye has been called one of the finest “madrigalists” of the Renaissance period. This arrangement of a popular madrigal for SSA voices is refreshing, with emphasis on independent voices, text and dynamics. This selection will be great for festival use! 1:49
Away in a Manger Alexander Hume, arranged by Ruth Elaine Schram
SSA, accompanied
This rocking, soothing SSA setting of Away in a Manger by Ruth Elaine Schram is easy to learn and multi-functional. Schram has provided the option of using the holiday text or that of Robert Burns’ well- known poem Flow Gently, Sweet Afton, making it an excellent addition to your holiday or festival program. Duration: 2:44
Your treble choir will sound fantastic singing this triumphant SSA choral written by Vicki Tucker Courtney. Conservative ranges coupled with interesting harmonies provide the framework for this exciting song of praise, a sure winner for your concert or festival repertoire list. Also available SATB. Duration: 2:17
Originally published by BriLee Music as an SATB choral, this rhythmic setting of the Gloria text has been revoiced by Rae Moses for the SSA ensemble. Exciting and full of dynamic contrast, this arrangement is appropriate for concert or festival use and makes an equally exciting opener or closer. Duration: 1:30
Glenda Franklin captures the essence of the spiritual with this passionate piece for SSA voicing, with lyrics like “Goin’ up to heaven to receive her angel voice." 2:10
Hey, Ho Fiddle-Eye O American Folk Song, Arranged by Earlene Rentz
SSA, accompanied
A spirited, American folk song arranged by Earlene Rentz, this classic story of underappreciated spouses is fun for all audiences. The singers tell the story of a farmer and his wife trading chores. 2:25
How Can I Keep From Singing (A Gospel Setting) Greg Gilpin
SSA, accompanied, with Solo
The combination of this highly charged, emotional contemporary gospel style setting with the traditional Quaker text of “How Can I Keep From Singing?” is sure to move both your ensemble and the audience. Duration: 2:30
I Know Where I'm Going Scottish Folk Song, Arranged Neil Johnson
SSA, optional Flute or C Instrument, Accompanied
This is one of the most beautiful of the Scottish folk love songs. Johnson starts with a simple flute solo, then gradually adds voices, one at a time. The ending really keeps the audience engaged until well after the final release. This is an excellent piece for concert or festival use. 2:45
I Want Two Wings African-American Spiritual, Arranged by Earlene Rentz
SSA, accompanied
Here is an arrangement that combines two spirituals, “I Got Shoes” and “I Want Two Wings,” and provides an easy and effective way to teach harmony. The lively, swinging rhythm is an audience-pleaser as well! This is a great selection for fall or spring concert use. It is also available as a 3-part mixed choral and in a previously released 2-part treble arrangement. 1:52
Commissioned by the Georgia Music Educators Association for the 2008 Middle School Treble Choir, Glenda Franklin very poignantly recollects the powerful emotions and strong memories associated with song. Sensitive singing is required to convey the substance of this work. 3:50
In Stiller Nacht Johannes Brahms (1833-1897), Arranged by Russell Robinson
SSA, accompanied, with Flute or C Instrument
This work is among Brahms' best known and most beloved folk song settings. Russell Robinson has skillfully set this arrangement for three-part treble voices and flute. A pronunciation guide is provided as well as an English translation by Robinson. 2:35
Long lines and elongated vowels distinguish this setting of the "Kyrie Eleison." The use of quartal and quintal harmonies give this work an open and evocative feel. An ideal setting for treble groups of any age and suitable for concert and festival use. 2:45
This work, written especially for Brian Busch, is an energetic setting of Robert Louis Stevenson’s poetry from an 1896 collection called Songs of Travel and Other Verse. The setting provides excellent contrast between the legato verses. This is another great choice for concert or festival programming for SSA voices. 3:17
Mary Had a Baby, Go Tell It! Traditional Spiritual, Arranged by Becki Slagle Mayo
SSA, accompanied
Becki Mayo has combined some of the best known and most loved spirituals into this arrangement. Featuring "Mary Had a Baby," "Go Tell It on the Mountain," and "Behold That Star," this work has tender moments as well hand-clappin', toe-tappin' fun. 2:35
Music We Bring from Pastorale Comique
Jean-Baptiste Lully, edited and arranged by Patrick M. Liebergen
SSA, accompanied, with optional two flutes
Patrick Liebergen gives us a joyous and rhythmic edition of a Lully trio. Originally scored for two countertenors and bass, this arrangement for three-part women’s choir features an English text with keyboard and optional flutes. Also available in three-part mixed. Duration: 1:37
Laura Farnell has done a masterful job setting this text by the acclaimed African-American poet, Joseph Cotter. While the night wind is often characterized as having a sad or melancholy quality, Farnell has ably captured Cotter's perspective that the wind could never be sad with the shining stars and moon for companionship. A singing melody and moving harmony lines create an elegant composition. 3:15
O Vos Omnes Tomas Luis de Victoria, arranged by Russell Robinson
SSA, a cappella, with optional accompaniment
O Vos Omnes, one of Victoria’s most well known motets, is masterfully arranged here for SSA choirs by Russell Robinson. This work offers your choir the option of melodic support with the addition of an unobtrusive piano accompaniment that enhances and meshes with the texture of its polyphonic choral melodies. Duration: 3:19
Laura Farnell uses a magnificently simple melody to deliver this original text by Ghanbar Ghanbari. A winning sequence in the middle results in a triumphant climax, combining the text with the Latin refrain “Dona nobis pacem.” 3:59
Rondelay-Oh Jeremiah Savile (1667), Arranged by Peggy Carter
SSA, unaccompanied, with optional accompaniment
Using a tune from the 17th-century composer Jeremiah Savile, Peggy Carter has contributed text to this Waits tune, which was traditionally the last piece sung at meetings of the English Madrigal Society and other similar bodies. With lyrics that are appropriate for festive occasions at any time of year, this selection is performed in the characteristic madrigal style, with or without piano accompaniment. 1:05
Sing Joy to the World Quoting "Joy to the World" by Handel and "Spring" from The Four Seasons by Vivaldi
Ruth Elaine Schram
SSA, accompanied
Quoting “Joy to the World” by Isaac Watts and G. F. Handel as well as “Spring” from The Four Seasons by Antonio Vivaldi, Ruth Elaine Schram combines two of the most recognizable melodies into a sensational holiday hit! Duration: 1:48
The Song that Nature Sings was one of the first songs Brian Busch chose to include in the BriLee Music catalog, published (in Unison) in 1997. It has been a perennial favorite since then, sung by Children’s Choirs, Developing Choirs, Unison Choirs, and Solo Voices in countless venues. Ruthie has now revoiced this favorite for SSA chorus. They will surely enjoy it as much as others have! Duration: 2:15
Mark Patterson has set this beloved Charles Dickens text to a comely art song for SSA voices. Lush harmonies and suspensions make this a very fulfilling piece for the SSA ensemble, and the occasional use of two-part texture keeps the piece accessible for most treble choirs. Add the optional violin to make a truly stunning statement for concert or festival. 3:20
Two Latin Settings I. Jubilate Deo, II. Ubi Caritas
Mark Patterson
SSA, accompanied, optional a cappella
Contrasting styles make these two melodies fit well together in Mark Patterson's piece, Two Latin Settings. “Jubilate Deo” features a strong, fanfare opening, followed by a lighter, syncopated section before returning to the opening material. The second selection, “Ubi Caritas,” is quite calm; an exquisite setting of the text “Where there is charity and love, there is God." These melodies may be performed sequentially as a set or individually. I - 1:46; II - 2:54
Two Nativity Carols Incorporating Silent Night and Away in a Manger
Gary E. Parks
S(S)A, accompanied with optional flute descant
This S(S)A arrangement weds the two well-known carols Silent Night and Away in a Manger. The quasi-jazzy piano accompaniment gives additional musical interest and the optional flute accompaniment call adds another layer to the lush texture of this work. Duration: 3:43
Already a best-seller as a three-part mixed setting, Greg Gilpin has now reworked the Ubi Caritas text for SSA voices. The vocal lines and harmonies in this work are exquisite! Duration: 2:40
We Wish You a Merry Christmas 16th Century English Carol, arranged by Catherine DeLanoy
SSA, accompanied
This well-known and oft-performed carol has been skillfully arranged by Catherine DeLanoy. The polyphonic sections add to the 'madrigal' flavor of this carol. Your singers will especially enjoy the brief a cappella section in the middle! This new take on a favorite will surely be a treat for your holiday concert audience. Duration: 1:40
Glenda Franklin has combined "Swing Low, Sweet Chariot," "When the Saints Go Marching In," with original music and text into a great partner song featuring two of the best known spirituals. 1:50
With original text by Herb Frombach, Vicki Tucker Courtney takes us on a winter walk with beautiful imagery and lush harmonies created by the use of dissonance throughout the piece. 3:16
