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Foreword by John Marcellus |
Introduction |
About David Vining |
I. Preliminary Studies |
I. 1. Basic Pitch Matching (1) |
I. 2. Basic Pitch Matching (2) |
I. 3. Basic Pitch Matching with No Rest Before Singing |
I. 4. Basic Pitch Matching: Scale-wise |
I. 5. Two Familiar Songs |
I. 6. Ode to Joy from Symphony No. 9 |
II. Intermediate Studies |
II. 7. Scale-wise C Major |
II. 8. Scale-wise Major/Minor |
II. Scale-wise Ab Major |
II. 10. Amazing Grace |
II. 11. Scale-wise Ab Major |
II. 12. Scale-wise C Major and A Minor |
II. 13. Scale-wise Eb Major: Singing Every Other Note |
II. 14. Scale-wise A Major |
II. 15. Danny Boy |
II. 16. Scale-wise Major/Minor: Singing Every Other Note |
II. 17. Scales and Arpeggios |
II. 18. E-Minor Chant |
II. 19. D-Dorian Chant |
II. 20. O Come, O Come Emmanuel |
III. Advanced Studies |
III. 21. Eb Major Arpeggio |
III. 22. Major/Minor Scales |
III. 23. Sonata in F (Movement I) |
III. 25. Scales/Arpeggios/Thirds: D Major/B Minor |
III. 26. Etude in F Major |
III. 27. Natural Slurs |
III. 28. 'Tis the Gift to be Simple |
III. 29. Circle of Fourths |
III. 30. Interval Study |
III. 31. F Major Intervals |
III. 32. Diminished Triads |
III. 33. Octatonic Scale |
III. 34. Whole Tone Scale |
IV. Intervals |
IV. 35. Scale-wise Widening Intervals |
IV. 36. Chromatic Widening Intervals |
IV. 37. Chromatic Intervals |
IV. 38. Thirds (1) |
IV. 39. Thirds (2) |
IV. 40. Fourths |
IV. 41. Fifths |
IV. 42. Ascending Sixths |
IV. 43. Descending Sixths |
IV. 44. Ascending Sevenths |
IV. 45. Descending Sevenths |
IV. 46. Tritones |
IV. 47. Wide Intervals |
IV. 48. Random Intervals |
V. Arpeggios |
V. 49. Major Arpeggios (1) |
V. 50. Major Arpeggios (2) |
V. 51. Minor Arpeggios |
V. 52. Major and Minor Arpeggios (1) |
V. 53. Major and Minor Arpeggios (2) |
V. 54. I-IV-V7 |
V. 55. I-IV-ii-V7 |
V. 56. I-IV-V Inverted |
V. 57. ii-V-I Jazz Style |
V. 58. Diminished Arpeggios |
V. 59. Augmented Argpeggios |
V. 60. Dominant-Seventh Arpeggios |
V. 61. Seventh Arpeggios |
V. 62. Mixed Arpeggios |
VI. Melodious Etudes: Bordogni |
VI. 63. No. 2 |
VI. 64. No. 5 |
VI. 65. No. 6 |
VI. 66. No. 12 |
VI. 67. No. 15 |
VII. Orchestral Excerpts |
VII. 68. "Tuba Mirum" from Requiem, K. 626 |
VII. 69. "Adagio" from Symphony No. 3 (Organ) |
VII. 70. "Hungarian March" from Le Damnation de Faust, Op. 24 |
VII. 71. Bolero |