Robinson's playful arrangement of this beloved Shaker tune is rhythmically diverse, has interesting harmonies, varied melodic pairings and a supportive yet interesting accompaniment. Simple Gifts is sure to be a crowd pleasure when performed by treble ensembles of all sizes!
Jones' powerful SSA composition for treble choirs, based on the poem by Harlem Renaissance
writer James Weldon Johnson, is both haunting and evocative. In d minor with a driving rhythmic piano
accompaniment, treble choirs will feel empowered singing this fabulous piece!
Hold On
Traditional African-American Spiritual (arr. Dan Davison)
With tremendous rhythmic variety, vitality, and even counterpoint, Davison creates a
frenetic energy in this beloved African American spiritual. Ranges are perfect for emerging treble choirs in the
middle and developing high school levels. Add the optional brake drum for greater effect. A MUST SING! Also
available for SATB Voices (BL1155).
O Magnum Mysterium is a welcome addition to the treble repertoire as an
appropriately challenging, accompanied piece for developing voices. Beautifully written utilizing the
time-honored Latin text, it is sure to appeal to treble choirs of all ages and is appropriate for concerts
throughout the year.
Originally written as a solo, Courtney's soulful, folk-like arrangement for SSA treble
choirs is based on a poem that esteems the role of motherhood as the preeminent force for change in the world.
With or without the optional violin, performing this song is sure to inspire and bring joy! Also available for
Solo Voice (BLB013).
The third song from the Tales from the North, this piece is written specifically
to provide a comfortable tessitura for Unchanged, Stage I, and Stage II emerging male voices. The
Oarsmen depicts the Viking Age, a time of battle and conquest, when brave mariners ventured further North
to create, protect, and defend their new homes and lives.
Two Holiday Carols for Emerging Tenor-Bass Choirs
1. We Three Kings 2. I Saw Three Ships
John Henry Hopkins, Jr., Traditional Christmas Carol (arr. Noah Reese)
These wonderful arrangements of I Saw Three Ships and We Three Kings are
perfect for the unchanged tenor-bass ensemble and sure to fit your programming needs for years to come!
A Medieval Fa La La
Reginal S Wright
BriLee Music
Tenor, Bass, Hand Drum, Handbells (opt.) (Piano (opt.), Vibraphone (opt.))
Medieval marries Deck the Hall in this well-crafted arrangement perfect for
emerging Tenor Bass choirs of all ages. Choose handbells, vibraphone or piano along with the percussion for a
delightful and novel opening or processional for your next holiday concert. A must sing! Also available for SA
Voices (BL1098)
For the emerging tenor-bass choir, this energetic choral work offers an introduction of
traditional text in compound meter and beginning part-singing. Whether chosen for its educational features, its
lyric melody, or its bouncing energetic accompaniment, it is a wonderful way to open any concert. Also available
for SA Voices (BL950) and Three-Part Mixed Voices (BL1089).
"Where charity and love are... God is there..." Reid's vocal lines weave
exquisitely in this beautiful TTB Latin setting. Well-crafted in form, opportunities for learning musical skills
abound in this song with options to perform a cappella or with piano.
Farnell's lovely piece employs the text from a Henry van Dyke poem which describes a
selfless love that seeks to give all that her heart desires and speaks to a beautiful, selfless love.
Sure to pull at the heart strings of both singer and audience, with lyric melodies, beautiful harmonies and a
well-crafted form, opportunities for learning musical skills abound in this song with options to perform TB or
TBB.
Three a cappella Spanish Songs for Tenor-Bass Choir
The whale, the horse and the elephant are the subjects of these three delightful, brief a
cappella Spanish folk songs which may be performed as a set or separately. The performance notes provide
translations and there are pronunciation recordings available online. Set in different meters, they are a great
way to feature your emerging tenor bass voices at contest or festival!
This uplifting and inspiring work, commissioned by the Sea
Cliff School Performing Arts Faculty and the Sea Cliff, PCA, can be performed with or without band. Based on
the theme of building a better world, it’s perfect for graduations, school assemblies, and celebrations.
Concert Band score (FPS159).
This easy-to-learn holiday novelty piece has a unique twist: choir and audience members can
download a free sleigh-bell app to use throughout the song as the jingling bells! The piece includes nods to
Jingle Bells, Ode to Joy and Deck the Hall along with humorous lyrics for the iPhone
generation. Sure to be pure fun for your students and audience and one of the most talked-about arrangements of
the holiday concert season! Also available for Unison or Two-Part Voices (BL938).
Poor Wayfaring Stranger
Traditional African-American Spiritual (arr. Christi Jones)
With ostinato-like phrases throughout, Jones' rhythmic and interesting arrangement of this
beloved African-American spiritual will suit the needs of developing mixed choirs. Whether performed with piano
accompaniment or a cappella, it's wonderful voice leading and harmonic structure make it a sure-to-please "win"
for any concert. Also available for SSA Voices (BL955) and TTB Voices (BL1014).
Wade in the Water
Traditional African-American Spiritual (arr. Dan Davison)
Written specifically to bring success to developing choirs of all ages, this bold, exciting
African-American spiritual arrangement features comfortable vocal ranges and easy-to-learn choral parts. This
rhythmic setting abounds with solo opportunities for a variety of voice types and presents outstanding teaching
opportunities for style and historical context. Equally appropriate for the concert stage or worship service.
Also available for TB Voices (BL961) and SA Voices (BL1055).
Mixed choirs of all abilities will embrace singing this powerful and intense contemporary
setting of the traditional Latin Requiem Mass text, the "Dies Irae" or "Day of Wrath" text. Jones employs
powerful melodic statements with a percussive, relentless piano accompaniment. Bold yet accessible this piece is
sure to steal the show! Also available for TTB Voices (BL968) and SSA Voices (BL1006).
Featuring expressive vocal lines, warm harmonies, lush choral texture and a meaningful
text, Safe Harbor is a modern benediction that conveys feelings of safety, belonging, and well-being.
This piece allows for performance flexibility: it may be sung a cappella or with piano, and it includes the
option of adding a unison treble or elementary choir for combined feeder concerts.
This energetic revoicing of Michael John Trotta's Omnia Vincit Amor is intended as
an accessible piece for developing mixed singers. Whether accompanied or a cappella, there are many
opportunities to focus on form, articulation, phrasing and Latin diction, making Omnia Vincit Amor a
wonderfully teachable piece. One of the first pieces in the Michael John Trotta Emerging Series, this
composition is sure to be a favorite of choirs and audiences alike. Also available for SA Voices (BL1035) TB
Voices (BL1012) and Three-Part Mixed Voices (BL1095).
Go Down, Moses
Traditional African-American Spiritual (arr. Judy Arthur)
With much syncopation in the vocal parts and the tremendous rhythmic drive in the
articulate piano lines, this re-voicing of the ever-popular African-American spiritual Go down, Moses
will set your mixed choir up for success. Exhilarating to learn and perform, this arrangement is dynamic and
impressive, sure to be a hit with students and audiences alike. Also available for TTB Voices (BL292).
With ostinato-like vocal pairings and Johnson's lyrical choral phrases supported by an
expressive piano accompaniment, Rosetti's text comes alive in this choral setting for emerging mixed choirs.
Wright's arrangement of our National Anthem contains interesting harmonies, subtle
suspensions and unexpected twists, making it a delightful experience for advanced treble singers and their
audience.
Lush, lovely, and harmonically rich, the SSA version of this American solo standard brings
a vocal “classic” to younger treble singers who might not yet possess the dexterity to perform the original
solo. Certain to enhance any concert or festival program.
Thompson's enchanting melody is reminiscent of an antique music box, paired with a
waltz-like accompaniment in a lilting 3/4 pattern. Varied in texture, with unison, SA, and SSA sections, this
piece can show off the wide array of colors and textures available to treble choirs.
In his poem, High Flight, John Magee describes the delirious feeling of wheeling
and soaring, and an intimate connection with the divine. Hunt reflects these feelings throughout his lyric
unison melodies, accessible harmonies and diving, expansive piano accompaniment. SA choirs will soar!
JB Levine's lovely arrangement of the Hanukkah blessing melody, used all over the world, now set for
SSA choirs, is authentic, accessible and sure to bring light to any concert.
Whether performed with piano or a cappella, Humble's setting of this evocative text which
describes a country that is beautifully diverse in population and landscape is suitable for many concerts,
assemblies, and civic or sacred settings.
With a pulsating and highly rhythmic piano accompaniment, composer Narverud's Ad
Astra radiates energy. Filled with hope and empowerment, the text reads, "To the stars through
difficulties, look upward, move forward, leave all cares behind." Ad Astra is an impressive, yet
accessible piece for developing or advanced choirs alike. Also available for SATB Voices (CM9618), Three-Part
Mixed Voices (CM9544) or SSA Voices (CM9579).
The Coventry Carol is one of the most popular carols in the English language.
Dating from the 16th century, the tune has been arranged hundreds of times. Reese's TBB arrangement, with
interesting counter melodies and rhythmic twists, has an accessible piano accompaniment, undulating at times and
supportive throughout. Also available for Three-Part Mixed Voices (BL1079) and SSA Voices (BL1120).
Gilpin’s original setting offers a fresh, soulful melody and interpretation of this classic
hymn text. With optional solo opportunities, Gilpin rocks both vocal and accompaniment lines. Sure to be an
audience pleaser, this toe-tapper is appropriate for any concert or festival. Also available for Two-Part Treble
voices (BL765), SSA voices (BL704) and three-part mixed voices (BL388) and SATB voices (BL789).
With a text by Louisa May Alcott, lilting melodies and subtle suspensions, Wright captures
the essence of a soothing lullaby in his original setting for SAB choir. Highly recommended for small or
developing mixed ensembles.
Drawing primarily from the soundscape of a gently sweeping Mixolydian mode, this piece is
designed to remind the listener of the distant past and its connection to our present. This SAB setting offers
additional options for soprano or alto divisi and comfortable ranges for men and is sure to enhance any concert
program.
Absolutely beautiful for mixed a cappella voices, this rich setting of the beloved Latin
text O Magnum Mysterium is not to be overlooked. Simple, elegant, and haunting, it is a lovely addition
to any concert or festival program, sure to showcase mixed ensembles in fine style. Also available for SAB
Voices (BL1081), TTB Voices (BL919) and SSA Voices (BL1002).
This exciting Hungarian-Romani folk song, originally arranged for Chanticleer, has been
masterfully adapted by prolific composer Stacy Garrop. Suitable for advanced high school and beyond, it is sure
to be a highlight of any concert program.
Hold On Just a Little While Longer
Traditional African American Spiritual (arr. Abeni Janae)
New to the Carl Fischer family, Abeni Janae (b. 2001) brings a fresh voice in her arrangement of this wonderfully rich African American spiritual. Accessible for mixed choirs of all sizes and abilities, there is pathos and passion in every phrase.
Though it can be performed with a single SATB choir, Narverud's original, lighthearted
composition also provides options to unite choirs of all varieties in harmony, and was written specifically with
multiple choirs of varying age ranges in mind. Lilting with harmonic and rhythmic variations, Song of the
Sound is sure to enhance any concert program.