Quiet Sings to Me

Quiet Sings to Me, inspired by a poem by Gwendolyn Bennett, offers tenor–bass choirs a gentle, expressive selection that’s accessible in multiple formats. Directors can choose either a unison tenor setting or a full tenor–bass arrangement, making it adaptable for a wide range of developing ensembles. A warm accompaniment with a moving lilt supports the singers and allows the tenderness of the text to shine.

Quiet Sings to Me, inspired by a poem by Gwendolyn Bennett, offers tenor–bass choirs a gentle, expressive selection that’s accessible in multiple formats. Directors can choose either a unison tenor setting or a full tenor–bass arrangement, making it adaptable for a wide range of developing ensembles. A warm accompaniment with a moving lilt supports the singers and allows the tenderness of the text to shine.

Quiet Sings to Me, inspired by a poem by Gwendolyn Bennett, offers tenor–bass choirs a gentle, expressive selection that’s accessible in multiple formats. Directors can choose either a unison tenor setting or a full tenor–bass arrangement, making it adaptable for a wide range of developing ensembles. A warm accompaniment with a moving lilt supports the singers and allows the tenderness of the text to shine.

Quiet Sings to Me, inspired by a poem by Gwendolyn Bennett, offers tenor–bass choirs a gentle, expressive selection that’s accessible in multiple formats. Directors can choose either a unison tenor setting or a full tenor–bass arrangement, making it adaptable for a wide range of developing ensembles. A warm accompaniment with a moving lilt supports the singers and allows the tenderness of the text to shine.