Dies Irae

Employing the text from the Requiem Mass, D. Farrell Smith's dramatic, exciting, rhythmic piano accompaniment propels the angular melodies, many of which are unison, forward. The contrasting, lyric B section allows for a brief respite and will challenge the singers to explore color in tone and expression. Sure to be a compelling piece to program for many concert or festival performances Also available for Three-Part Mixed Voices (CM9351).

Employing the text from the Requiem Mass, D. Farrell Smith's dramatic, exciting, rhythmic piano accompaniment propels the angular melodies, many of which are unison, forward. The contrasting, lyric B section allows for a brief respite and will challenge the singers to explore color in tone and expression. Sure to be a compelling piece to program for many concert or festival performances Also available for Three-Part Mixed Voices (CM9351).

Employing the text from the Requiem Mass, D. Farrell Smith's dramatic, exciting, rhythmic piano accompaniment propels the angular melodies, many of which are unison, forward. The contrasting, lyric B section allows for a brief respite and will challenge the singers to explore color in tone and expression. Sure to be a compelling piece to program for many concert or festival performances Also available for Three-Part Mixed Voices (CM9351).

Employing the text from the Requiem Mass, D. Farrell Smith's dramatic, exciting, rhythmic piano accompaniment propels the angular melodies, many of which are unison, forward. The contrasting, lyric B section allows for a brief respite and will challenge the singers to explore color in tone and expression. Sure to be a compelling piece to program for many concert or festival performances Also available for Three-Part Mixed Voices (CM9351).