High Tech for Strings
Technical Studies and Solo Literature for String Orchestra and Individual Study
Composer
- Dimitry Bortniansky
- Thomas Bayly
- William Babell
- Henry Ghys
- Ludwig van Beethoven
- Wolfgang Amadeus Mozart
- Eduard Poldini
- Scott Joplin
- Jean-Philippe Rameau
- Giuseppe Verdi
- Cécile Chaminade
- Winner
- Pierre Gavinies
- Doris Gazda
- Christopf von Gluck
- Edvard Grieg
- François-Joseph Gossec
- Pyotr Ilyich Tchaikovsky
- Georges Bizet
- Anonymous
- Antonín Dvořák
- Robert Schumann
Editor
Instrumentation
- Double Bass
$16.99
SKU
O5476
A fresh and innovative collection created by experienced performer and teacher Doris Gazda, High Tech for Strings is designed to take young performers from basic technical competency to the more advanced levels of string technique. Using technical exercises in all areas of string instruction and a varied repertoire of performance pieces, some familiar classics and some special arrangements of folk material, the author has crafted a series that will systematically increase the playing proficiency of young string players and prepare them for the challenges of solo and ensemble playing. High Tech for Strings touches all bases in its unique mix of technical and musical instruction. Bowing, intervals, advanced positions, rhythm, ornaments, and vibrato are among the topics that are covered. The musical piano accompaniments are by composer Kirt Mosier and will allow the book to be used as a solo repertoire collection, as well as in any ensemble configuration. High Tech for Strings is one of the most exciting string publications to be released in many years.
SKU: O5476
Ensemble: String Orchestra
Key: D major
Publisher: Carl Fischer Music
Product Type: Methods and Studies
Weight: 0.55 lbs.
UPC: 7-98408-04174-8
ISBN: 978-0-8258-4174-3
Ensemble: String Orchestra
Key: D major
Publisher: Carl Fischer Music
Product Type: Methods and Studies
Weight: 0.55 lbs.
UPC: 7-98408-04174-8
ISBN: 978-0-8258-4174-3
III. Harmonics adn Shifting: shifting from firsth through seventh position; shifting, etudes
III. Harmonics and Shifting:
III. Harmonics and Shifting:
III. Harmonics and Shifting:
III. Harmonics and Shifting:
IV. Second Position: shifting, etudes, double stops
IV. Second Position:
IV. Second Position:
IV. Second Position:
V. Third Position: shifting, etudes, enharmonic tones, chords, martele, detache, and spiccato bowings
V. Third Position:
V. Third Position
V. Third Position:
V. Third Position:
IV. Fourth Position: shifting, etudes
IV. Fourth Position:
IV. Fourth Position:
IV. Fourth Position:
IV. Fourth Position:
IV. Fourth Position:
IV. Fourth Position:
IV. Fourth Position:
IV. Fourth Position:
VII. Fifth Position: shifting, etudes, sixths, grace notes, flying staccato
VII. Fifth Position:
VII. Fifth Position:
VII. Fifth Position:
VII. Fifth Position:
VIII. Bowing Styles and Techniques: changing strings, detache, tremolo, slurs, martele, slurred staccato, spiccato, sautille, flying staccato, loure, articulated detache, ricochet, flautando,
VIII. (cont.) ponticello, col legno, "hooked" bowings.
VIII. Bowing Styles and Techniques:
VIII. Bowing Styles and Techniques:
VIII. Bowing Styles and Techniques:
VIII. Bowing Styles and Techniques:
VIII. Bowing Styles and Techniques:
VIII. Bowing Styles and Techniques:
VIII. Bowing Styles and Techniques:
VIII. Bowing Styles and Techniques:
IX. Vibrato: techniques, exercises
X. Rhythm
X. Rhythm
X. Rhythm
X. Rhythm
X. Rhythm
X. Rhythm
X. Rhythm
X. Rhythm
X. Rhythm
XI. Chromatics and Ornaments: grace notes, turns, trills
XI. Chromatics and Ornaments:
XI. Chromatics and Ornaments:
XI. Chromatics and Ornaments:
XI. Chromatics and Ornaments:
XII. Solo Literature
XII. Solo Literature
XII. Solo Literature
XII. Solo Literature
Manuscript Paper